An image that comes of African adult females is normally a faceless and a voiceless being. There is ever a inclination to look at them more or less than a slave. Chinua Achebe’s post-colonial novel. Things Fall Apart. make at some points of the fresh support the instance of the subjugated African adult females in the class of Okonkwo’s life through the pattern of polygamy. paying bride monetary value. and the untypical instance of Okonkwo crushing his married womans at little defeat. In Okonkwo’s eyes. adult females are mere belongings and the 1s that keep a adult male sane. But. it is besides through Okonkwo. we see adult females – female parents ( Ekwefi ) . married womans ( Ojiugo ) . girls ( Ezinma ) . priestesses ( Chielo. Ezeani ) and goddesses ( Ani ) – who are revered and whose stature in the civilization is self-contradictory in the really thought of the marginalized and duteous female that Okonkwo tries to apologize. Achebe illustrates how at times. an Igbo adult female is in the background. but at other times. they’re in the head and they are non painted as inferior. alternatively they are an indispensable spouse to the male and they are equal and at some occasions superior to the male. Womans in different functions play most critical maps in society.
Though they are seen as failing. it is dry that they are the safety for everyone. Ekwefi’s and Ezinma’s female parent to child relationship confirms this. When Okonkwo forbids Ekwefi to go forth her hut after Ezinma is carried off by the main priestess. Ekwefi ignores her hubby and put on the line a whipping to follow Chielo and her girl throughout the dark. until she is certain that her girl will return place safely. But alternatively of trying to keep her. Okonkwo joins the journey. following from a safe distance. besides to vouch the protection of his kid. Here. one can both see the strength of a female parent and how Okonkwo. alternatively of giving her a whipping. respects her determinations in following Chielo. It is said that the commonest name given to kids is Nneka. “Mother is Supreme” . Uchendu explains to Okonkwo how “when a male parent beats his kid. it seeks understanding in its mother’s hut. A adult male belongs to his homeland when things are good and life is sweet. But when there is sorrow and resentment he finds safety in his fatherland. Your female parent is at that place to protect you” . Looking at the goddesses. Ani. the Earth goddess. holds great power as she is the “source of all fertility” .
“She was the ultimate justice of morality and behavior. ” In Umuofia. before any harvest is put earth. each individual should “sacrifice a prick to Ani. the proprietor of all land. ” Ani is theoretical account of the female force and she is superior to the male. Both the Week of Peace and the New Yam Festival is dedicated to her. When Okonkwo beats Ojiugo. his youngest married woman. in the Week of Peace. Ezeani. the priestess of Ani. fined him with “one nanny. one biddy. a length of fabric and a 100 cowries” for the pureness of the land. Okonkwo” he respected the priestess even though she was adult female and was “rependant” for his actions. To understand Okonkwo and his different interactions with adult females. one must look at his beginnings. Due to his father’s poorness and his debts. his whole life was to unrecorded antonym of him and therefore. he was “dominated by fright. the fright of failure and of weakness” . After his father’s contemptible decease. maleness was a virtuousness that Okonkwo thrived on. He becomes a great grappler every bit good as a warrior ; he has a large farm. many married womans. and has some of the highest rubrics in the kin.
He believes he is embodiment of manhood. His fright of being weak outweighs every facet of his life. He is non blind ; he merely lacks the will to get the better of his fright so whatever he does he tries non appear weak. His killing blow to Ikemefuna. the male child who called him “father” . confirms this since he didn’t want to look weak when his clanswomans told him to kill him. but his relationship with Ezinma contradicts as Okonkwo does show concern for her when he follows her into the wood after she is taken by the Priestess. Chielo. Okonkwo dislikes Nwoye. due to his “womanish” features like his male parent. He loves Ezinma because “she has the right spirit” unlike Nwoye. who as Okonkwo describes has “too much of his female parent in him. ” “Perhaps down in his bosom Okonkwo was non a cruel man” . it’s merely that he suffers from a psychological job. his tragic defect. which is the irrational fright of being dubbed weak and gutless like his black male parent and this fright which dominates all his actions is what contributes to his tragic autumn.
Achebe uses sarcasm and paradox to deflate the male high quality. At first. the sarcasm we see is right after killing Ikemefuna. Okonkwo was “ so weak that his legs could barely transport him” and he asks himself “When did you go a shaky old adult female. ” Irony informs the reader of Okonkwo’s unintended slaying. The adult male who prides himself as masculine commits a “female” offense which exiled him for seven old ages. His house is destroyed and he seeks safety in Mbanta. his fatherland. The more he fights towards maleness ; the female side comes up to salvage him. Though every facet of life was to unrecorded antonym of his male parent who wasn’t decently buried due to his low staus in society. Okonkwo ends up hanging himself and in consequence. he couldn’t be buried as it was an abomination to the Earth goddess. Ani. As the male side gets deflated. the female side gets stronger.
For case. merely the priestesses behold the Oracle. Chika. the priestess of Agbala in Unoka’s clip. “was full of the power of her God. and she was greatly feared. ” Power merely does non merely come in physical and political signifier. but besides in religious ways. Chielo. the priestess of the goddess Agbala. was besides a fearless adult female when possessed and the people of Umuofia respects her. When it comes to work forces cultivating yam. it is merely through Ani. they get their birthrate. Achebe portrays how even though adult male may hold the physical strength. but the religious and moral powers come within a female. Through sarcasm and paradox. Achebe deflates this alleged male-superiority and establishes a combined force which includes both physical and religious powers. an equilibrium that is indispensable for the person and society.